Directed by: Tim Miller Starring: Ryan Reynolds, Morena Baccarin, T.J. Miller, Ed Skrein Twentieth Century Fox, The Donners’ Company, Marvel Enterprises
After discovering that he has terminal cancer, mercenary for hire Wade Wilson is offered to under go an experimental procedure that can save his life, and also give him extraordinary powers. After being lied to and left for dead, Wade discovers he has gained the ability to rapidly heal from injuries. He also left with an appearance only a mother could love. Hell-bent on seeking revenge, Wilson dawns a mask and costume, and takes the moniker “Deadpool”. Along side some familiar “allies”, a quick wit, and armed to the teeth, “The Merc with the Mouth” goes on a killing spree in search of the people who turned him ugly.
Anyone who is a fan of the Deadpool character as he is represented in the Marvel Comics universe knows that the film is actually a pretty close adaptation and stays true to the character. I looked forward to seeing this film as soon as the test footage was leaked a couple years back. I am a fan of the comic book. The “breaking the fourth wall” shtick (Deadpool is aware he is in a comic book and acts accordingly) was, and still is a fresh approach. The movie takes advantage of this, and it is brilliant. This is Deadpool with the gas pedal pinned to the floor. From what I have read, this was Ryan Reynolds’ passion project, and he is brilliant. You could scour the world and not find any actor to play the part of Wade Wilson better than my fellow Canadian. From the humor, action, charm, and countless Easter eggs (intentionally hidden message, or inside joke) that are contained in Deadpool, it’s a hell of a good time at the cinema. I can see this being a movie I can watch time and time again, and still be impressed. I can only hope that Twentieth CenturyFox and Marvel Studios have enough sense to add this character to future X-Men based films, because honestly, they have become dry. This is a great example of what can be accomplished when the studio loosens the reigns and lets the creativity flow. What I am trying to say is Deadpool is awesome. At the risk of sounding blasphemous, I may have enjoyed it a little more than The Force Awakens, and I loved that film.
Starring Anya Taylor-Joy, Ralph Ineson, Kate Dickie
Atlas Entertainment, Relativity Media
A farmer and his family are forced to find their way in the New England wilderness after they are exiled from a colonial plantation. The family settles on a plot of land near a forest believed to be inhabited by an evil force. Almost instantly, bizarre and unexplained events begin to happen, including the youngest child being kidnapped. The family must rely on each other and their faith in God and Christianity to get them through as they are preyed upon by the entities that reside in the woods.
Viewers who go into The Witch expectinga typical horror movie could possibly be disappointed. The jump scares are kept to a minimum, and the blood and guts are all intended to be deliberate as opposed to glorified and gratuitous. Instead, director Robert Eggers relies on atmosphere and tension build-up to keep the audience engaged and off balance. The folklore of the time is heavily relied upon, and hits the mark. This day and age, it seems silly to fear black magic and Satanism, but in the sixteenth century, these fears were very real. I was very impressed with the costume and set design. The film had a very authentic and distressed feel. The characters were well constructed, and the actors playing those characters were also genuine and intense. I am sure this film will achieve critical and moderate financial success, but on the same token, it will be a polarizing film with mixed feelings from viewers. The Witch brings true horror to the table, as opposed to cheap gimmicks and loads of blood. As I watched this family collapse under their own suspicion and religious beliefs, I just hoped that the Evil in the forest surrounding them would show some restraint. Not the case. I left the theater thinking what did I just watch? I also left the theater feeling like I had just seen something original and special.
An American woman, Sara (Dormer), travels to Japan to track down her oft troubled identical twin sister. The trail leads to the Aokiagahara, the “suicide forest” at the foot of Mt. Fuji. The “sea of trees” is a place where people commit suicide, and is widely believed to be haunted. As she finds evidence that her sister may be alive and lost in the forest, Sara will have to confront her past, as well as the supernatural forces of Aokiagahara to uncover the truth.
As a fan of the folklore that comes along with the infamous “suicide forest” in Japan, I was actually intrigued by the possibilities that The Forest could bring to the supernatural genre. Imagine being alone in the forest at night in the dark. No imagine having to worry about ghosts messing with you as you try to keep your sanity. Sounds pretty freaky right? The Forest falls so flat on its face, and almost immediately. For starters, the majority of the forest scenes take place during the day. This is not very effective. The scare count for me was zero. The story was very rushed, and with no real build-up. The history and the creepiness of the Mt. Fuji area is wasted on this film. The Japanese are renowned for their innovative horror films. Hollywood is renowned for taking a scary-as-hell legend and making it suck. I feel bad for Natalie Dormer (Game of Thrones) and first time director Jason Zada, but on the bright side; it can only get better from here. Might as well get the terrible horror project out of the way first. It upsets me to be this harsh, but I have to be honest. The Forest was one of the least interesting films I have seen in quite some time.
1 outof 5 Bloody Moons
If you would like to read some information on Aokiagahara, the”Suicide Forest”, here is what Wikipedia has to say…
Starring: Samuel L. Jackson, Jennifer Jason Leigh, Kurt Russell, Tim Roth
The Weinstein Company
Runtime: 187 Minutes, Rated: R
A group of traveler’s, consisting of bounty hunters, Civil War veterans, and killers converge on a remote outpost in the heart of the Wyoming wilderness during a severe blizzard. As these strangers seek shelter, each appears to have their own agenda. Is it the storm that brings upon this chance meeting, or is it destiny that has these folks are gathered at Minnie’s Haberdashery on this cold winter’s afternoon?
I always look forward to Quentin Tarantino’s new films simply because they are typically brilliant. The dialogue, acting, and dark humor are always engaging and enjoyable. Those points remain true in his 8th film, The Hateful Eight. The movie comes across like a stage play, as it takes place primarily in one room. The blocking and back ground performance away from the primary action is well done. I did have one issue with the film that kind of took away from it being close to perfect. The run time, at over three hours, is too long. When the ending came around, it almost seemed like a relief that the movie was over, and lessened the impact of the conclusion for me. Also, the score music seemed incredibly loud in spots, but that could be the fault of the cinema. Overall, an entertaining film, full of humor and violence. Walton Goggins and Samuel Jackson are brilliant, as is Jennifer Jason Leigh. For me, this one falls between Inglorious Basterds and the amazing Django Unchained.
Before you read, please be assured that this tiny review contains NO SPOILERS.
Star Wars: The Force Awakens (2015)
Directed by: J.J. Abrams
Starring: Daisy Ridley, John Voyega, Oscar Issac
Lucasfilm, Bad Robot, Walt Disney Studios
Thirty years after the Galactic Empire is defeated by the Rebellion, The First Order is now attempting to seize control of the galaxy, like the Empire before them. A map that the First Order seeks falls into the hands of a scavenger, a First Order deserter, and a droid. They must deliver this map to the Rebellion, or it could spell the end of the Jedi forever. Along the way, this group of heroes run into some familiar faces, as well as new evil foes. Is it a coincidence that these strangers are brought together, and can they bring balance to the force once again?
The long-awaited and much-hyped sequel every Star Wars fan has been waiting for has finally arrived. Was the wait worth it? In my humble opinion; yes. This film admirably lives up to the original trilogy, and introduces this generation to new characters, and fondly reintroduces us to some familiar old favorites like Han, Chewy and Leia. I was actually nervous (seeing as Star Wars basically raised me) going into see the film. It took about three minutes to let my guard down and realize this installment would not be questionable like the prequels are. I am relieved and happy that the franchise is in good hands with Disney, and J.J. Abrams. As the director, and a fan of Star Wars, he has made a movie for the fans. In the process, he has reignited the myth and mystique of the Force. Without giving away any plot details, I would just like to conform that the galaxy is in good hands with Rey, Finn, Poe Damron, and B-88. The Force is indeed awake, at long last. I love you Star Wars.
Starring: Tye Sheridan, Logan Miller, Joey Morgan, Sarah Dumont
Broken Road Productions, Paramount Pictures
Three friends, and fellow Scouts, get set to go on their last camping trip. Plans are also in effect to ditch the camp out after dark and go to the biggest secret location party of the year. Much to the surprise of the friends, they walk right into the middle of a full-blown zombie outbreak upon their return to town. After enlisting the help of a stripper, the group races to find the secret location of the party to save their high school friends. Scouts are always prepared, but are they prepared for this?
Horror-comedy can be really good if done right. I went into this film with no expectations. I had not heard much about it besides seeing a couple teaser trailers. I must admit. I enjoyed Scouts Guide to the Zombie Apocalypse. The film knows it is a comedy and never tries to be serious. They follow the formula very well, and throw in some blood and guts for good measure. I found this movie very reminiscent of another good horror-comedy; Idle Hands (1999). Week after week, T.V.’s The Walking Dead slams us with an intense, end of the world zombie drama. Once in a while it’s nice to relax and laugh at hordes of undead. You won’t need your brain for this one, and that’s not a bad thing now and then.
Starring: Adam Scott, Toni Collette, David Koechner, Allison Tolman
Legendary Pictures, Universal Pictures.
Max, a young boy who is tired of his family not taking Christmas seriously, swears of the holiday, and in the process, he accidentally summons an evil spirit. Krampus and his army of demonic elves are coming to town, and they are not in a festive mood. Max and his family must try and survive the Christmas Eve from hell, and hopefully their X-Mas spirit can overcome Santa’s shadow; Krampus.
Being a fan of Michael Dougherty’s brilliant Halloween film Trick r Treat, I was really looking forward Krampus. Both films share a common theme; people disrespecting holidays, in this case Halloween and Christmas, and they are paid a visit by not-so-nice entities representing their respective night. They also share bad ass villains. Just like pumpkin goblin Sam (Trick r Treat), Krampus is a half beast half man Christmas creep. The effects design for the creature, as well as his army of elves, toys, and gingerbread men are great. The acting is decent, and the majority of the story is adequate. Those are things I liked. What I did not like was the lack of blood and violence. I image that Christmas demons would not be as relenting as these ones are. They could have been much more brutal. In spots, the film seemed lost to the fact that it is a horror movie. Unfortunately the ending of the film seemed pretty wishy-washy until the very last scene, which made the attempt to straighten out which was an unsatisfying payoff. If you go in expecting the brilliance of Trick r Treat, you will be disappointed. If you go in with low expectations, you might have a good time. MerryKrampus!
A mother and her two sons move into secluded rural house to escape a domestic situation. There is only one problem; the house has been marked by the demon Bhughul. Using a series of “snuff” films and a gang of ghostly children, Bhughul continues his evil work, and wants this family to join him in hell. Ex-deputy So & So, who is investigating the events from the first film (Sinister, 2012) must uncover the truth and race to save the Collins family from certain death.
The first Sinister film was a good surprise for me, as I thought it was pretty creepy and had some original ideas. I enjoyed how the old home movies were incorporated into the film, and the method in which the families were chosen for death. It was obvious that a sequel would be made, as the first film was good, and turned a decent profit. For the most part, this is just a rehash of the first film with a different target family. James Ransone does return to reprise his character, Deputy So & So. Unfortunately, the character lacks the hero quality and just blends in. Where the first film had great eerie atmosphere, Sinister 2 goes for the jump scares more so than suspense. I felt as if the story showed its hand too early and too often for this sequel to be as effective as the predecessor. The “snuff” movies within the film were good, but the film itself was just not sinister enough for this guy. Hopefully the third installment can reinvent Bhughul. He seems to have lost his demon game.
Why Horror? (2014)
Directed by: Nicolas Kleiman, Rob Lindsay
Starring: Tal Zimerman, a host of interview subjects including John Carpenter, Don Coscarelli, Eli Roth, Soska Sisters, and George A. Romero Don Ferguson Productions
Life long horror fan, Tal Zimerman, goes on a mission to document and discover the answer to the age old question; why do we love to be scared? Zimerman travels from Mexico to Japan to investigate different cultures, interviews many authorities on the subject, and has physical tests performed on him to try and understand his own personal obsession with horror, and also mankind’s interest in the macabre.
I was flipping through movies on the television and came across Why Horror?, and since I am also a fan of the genre, decided it would be in my best interest to watch this feature documentary. If you go in expecting a film about horror films, this is not going to satisfy you. What is satisfying about this film is that there was a great amount of work put into it. Art, literature, other culture’s beliefs in death, science, and of course film are all explored. The question being asked is a valid and interesting question; why does horror appeal to see many people, while other people do not care for it? The film flows really well. The quality of interviewees and “experts” is impressive and insightful. The addition of the brain scan during a viewing of a horror movie was a nice and interesting touch. Overall, Why Horror? is a really cool watch. It’s nice to know that there are freaks like me out there. It was stated in the film that while people watch the horrors and atrocities of real life on CNN, I’ll stick to watching my horror in the cinema and reading it in comic books, where it won’t drive me mad.
Redemption of the Devil (2015)
Directed by: Alex Hoffman
Starring: Jesse Hughes Vice Media
This documentary follows a year in the life of charismatic front man for the band Eagles of Death Metal, Jesse Hughes. He is many things; wild-man, political activist, worshiper of women, ordained minister, and father. Leading up to Hughes’, aka Boots Electric, fortieth birthday, he is preparing to record a new album, play solo shows, record his radio shows, and most importantly, trying to reconnect with his son.
As a big fan of EODM, I was looking forward to watching Redemption of the Devil. To me, Jesse Hughes has always come off as a cock-sure and confident rock n’ roller, with a desire to live up to the legend that comes along with that lifestyle. He is that, and so much more. The film is very candid, and of course there are moments that it seems the man called “Boots Electric” is playing it up for the camera. After watching, I don’t believe that is the case. Hughes has a bombastic personality, and his views and opinions mirror that. There is also another side to Jesse Hughes; devoted son who honors his mother’s beliefs by becoming an ordained minister, as he tries to tone down his hedonistic ways. He is also a tortured father, who desperately wants to see his son after being estranged for a year. At some points during the film, I thought to myself how amazing it would be to live this lifestyle, which were counter-balanced by the realization that things can sometimes slip through your fingers and the fun is not all it is cracked up to be. I really enjoyed Redemption of the Devil, and because of this, I see “Boots Electric” as a human being, and not just the charismatic wild-man you see on stage.