Daily Tonality: Song of the Day 01/07/2018

January 7, 2018

Today’s song is brought to you by putting my Spotify library on random and making the first song to play your Daily Tonality.

pressshot3

Mark Lanegan – The Gravedigger’s Song (from the album Blues Funeral, 2012) Sometimes it seems like my Spotify account can read my soul. Last night, I had this song playing in my head for a little while. Today, as I do the magic shuffle to get the song of the day, BAM…The Gravedigger’s Song appears. Mark Lanegan is an amazing songwriter, and the gravely, ghostly voice to perfectly showcase the subject matter. This song has a driving bass line and tempo, accompanied by a rich, reverb filled guitar landscape. It’s beautiful. If you don’t like the song, your ears are probably fucked up and you should have them tested. The whole Blues Funeral album is the perfect highway soundtrack. It would be easy to get lost in the music and miss your exit.

Little factLanegan was part of Screaming Trees, one of Seattle’s early grunge bands, and has collaborated with Queens of the Stone Age, and Isobel Campbell (Belle and Sebastian).

T.

 

 

TOP FIVE DESERT ISLAND ALBUMS

I am sure we have all played this game. Stranded on a desert island, or anywhere remote without anyone to save you. The five albums that you would take with you. It is not a very realistic game; what would you play the albums on? Where would you get the power to run the device? Rules are kind of stupid, so let’s ignore them and play anyways. These albums mean different things to me, fond memories, times in my life. So here in no particular order here are the five albums I would pack if I was ever to become a castaway.

Appetite

GUNS ‘N ROSES – APPETITE FOR DESTRUCTION (Geffen 1987) You would hard pressed to find a better hard record than this beauty. No other album brings back as many fond memories of growing up than Appetite. The attitude and bite of this debut is unrivaled. If you are between the ages of 35-45, you probably know the words to every song on the album. Also, this is the first time I remember hearing the word ‘fuck’ on a rock song. I have probably owned this album ten times over.

Lullabies

QUEENS OF THE STONE AGE – LULLABIES TO PARALYZE (Interscope 2005)  It was hard to choose the QOTSA album that I would have on a desert island. I love them all, but a decision had to made. I chose Lullabies because it was the record that blends the bands raw desert rock background with the new wave type sound they have adopted for their last two albums. This is also the last album that Mark Lanegan has a large contribution on, as well as the debut of drummer Joey Castillo and multi-instrumentalist Troy Van Leeuwen.

Angel Dust

FAITH NO MORE – ANGEL DUST (Slash 1992)  Faith No More pretty much do what they want when it comes to recording albums, and it works so well on this one. Angel Dust is beautiful and ugly, complex and simple, accessible and confounding all at the same time. This was Mike Patton’s first real contribution to writing songs with the band, and it shows brilliantly. If you took almost every style of music you could think of, put it in a blender and mixed it up, you would end up with Angel Dust. RV is one of my favorite songs ever. Also, the album artwork, inside and out, is amazing and disturbing.

Dopesmoker

SLEEP – DOPESMOKER (Tee Pee 2003)  Not be confused with the album Jerusalem, which was released in 1999, chopped into multiple tracks and released without the bands input or permission. Dopesmoker is a titan, with the title track timing in at 63:31. This is Sleeps final album as a band, even though they released a single last year. This is a powerful, slow, heavy prophecy of doom, delivered by the high council of “stoner metal”. The only thing that would top listening to this on a lonely island would be to have Sleep perform. I also have a soft spot for this album because guitarist Matt Pike a guitar giant, and one of my favorites.

Bubblegum

Mark Lanegan – Bubblegum (Beggars Banquet 2004)  I’m not sure what about this album that draws me in. It could be because Bubblegum is perfectly flawed, and from the heart. Lanegan’s gruff, soulful voice seems to make the songs have more meaning (see Tom Waits). The album features a long list of guest contributors featuring the talents of P.J. Harvey, Joshua Homme, Nick Oliveri, and Alan Johannes. A very dark, intimate record, but beautifully crafted. It is also one of the CDs I go to when driving on the highway.

T.