Ninety One was a good year at the cinema. Here is a run down of the five I enjoyed the most.
5) Point Break (Directed by Kathryn Bigelow, starring Keanu Reeves, Patrick Swayze, Gary Busey) I love a good heist movie, and this is one of my favorites. A young Keanu plays Johnny Utah, an FBI agent who goes under cover to infiltrate a band of rogue surfers who may also be bank robbers. Patrick Swayze plays the antagonist, but plays it really cool. Point Break has a really good cast: Gary Busey, Lori Petty, and John C. McGinley also star. It has a total 90’s feel, and even has a guest spot by members of the Red Hot Chili Peppers. This film is a good waste of a couple hours.
4) Boyz n The Hood (Directed by John Singleton, starring Cuba Gooding Jr., Lawrence Fishburne, Ice Cube) This inner-city drama is a sobering reminder that every action has a consequence. Boyz is a coming of age story about the struggles of growing up in a dangerous community, raised by single parents, and just trying to stay alive. Cuba Gooding Jr. and Ice Cube are amazing as friends growing up in the Crenshaw district of Los Angeles. The movie captures the racial and economical tension the city endured in the early 1990’s. A very serious tone and some gritty performances make this must watch.
3) Cape Fear (Directed by Martin Scorsese, starring Robert DeNiro, Nick Nolte, Jessica Lange, Juliette Lewis) This beauty is Scorsese’s vision of the 1962 Cape Fear that starred Gregory Peck and Robert Mitchum. Both versions are based on the John D. MacDonald novel of the same name. I have watched the majority of Robert DeNiro’s films, and I have to say that his portrayal of ex-con Max Cady is in my opinion, his best. He plays a smart, cunning, intimidating, and savage man obsessed with getting “revenge” on his defense attorney, played by Nick Nolte. This is how a thriller should be made. DeNiro is far and away the best part of the film, and the Max Cady character should be considered one of the greatest movie villains of all time.
2) Silence of the Lambs (Directed by Jonathan Demme, starring Sir Anthony Hopkins, Jodie Foster, Ted Levine) Silence of the Lambs was released on Valentine’s Day in 1991. That would have been a hell of a date. Based on the Thomas Harris novel, this almost flawless film is an example of all aspects of a movie coming together brilliantly. Besides the 1986 film Manhunter, Silence of the Lambs was the first mainstream introduction to Dr. Hannibal Lector. I don’t think I need to tell you what he is about. Sir Anthony Hopkins nails the character, and gives us the chills with his portrayal. Jodie Foster is amazing as the naïve rookie FBI agent assigned to interview Lector. The character of Jame Gumb (aka Buffalo Bill) is a turbo creep, and created many moments that are still relevant in pop culture. This film spawned a bunch of prequel/sequels, and a television, show which deserved a much better fate than it received. From top to bottom, Silence of the Lambs is about as much bang for your buck you can get out of a film.
1) The Doors (Directed by Oliver Stone, starring Val Kilmer, Meg Ryan, Kyle MacLachalin) The Doors movie is not the best movie on this list, but it is my favorite. Around this time in my life, I was obsessed with Jim Morrison. The music, the lifestyle, the debauchery, it all spoke to me. This film basically put all the things that I imagined into something that I could visualize. My friend Brian (also a huge Doors fan) and I probably watched the VHS every weekend for months. It was a ritual. It was a time and a place in my life that I enjoyed. Val Kilmer was the perfect choice to play Morrison. He looked and sounded so much like the “Lizard King”, that he did the majority of the singing in the film. Director Oliver Stone is a master at capturing a certain time period, and the 60’s come to life in this movie. The Doors is also a tribute to Jim and Pamela Courson’s devotion to each other, even as dysfunctional as their relationship was. That is my kind of love story. This is my favorite movie of 1991, as well as my favorite music biography turned film. It showcased the defiance of a tortured artist, which is the way I thought I felt as a 16 year old dumb kid.